Jason is tripping in Hollywood at 2AM. Having just taken acid for the first time, he navigates through a vortex of geometric displays comprising the essence of life before deciding he simply must go on a night hike up the Beachwood Canyon trail to the iconic Hollywood sign. The band Jason has played guitar in since age 16 has just broken up after years of cross-country tours, and he suddenly faces an uncertain future. Unfortunately for Jason, as he approaches the trailhead he spots a group of coyotes heading down towards him. Have you ever seen coyotes on acid? They’re scary as hell. Jason retreats back to his apartment, wallowing in disappointment at another lost opportunity.
He discovers the next morning that three decapitated bodies were discovered on that very same trail, victims of an apparent gang hit. Time of death? The exact same time he was scared away. Did those beachwood coyotes save his life? You bet they did.
Suddenly songs start pouring out of Jason, years and years of relentless touring providing fertile subject matter for songs about the loneliness of life on the road and the seedy underbelly of Los Angeles. After bringing the hard-hitting rhythm section of bassist Drew Smith and drummer Bryan King on board along with Canadian guitar phenom Yan Clermont, Beachwood Coyotes is born.
The band retreats to a dark practice space and writes loud powerful songs with catchy beats and reckless melodic pop abandon. They design a DIY light show and pour every ounce of their energy into their live shows. The packed gigs feature frequent stage diving and impromptu in-crowd performances, that quickly gain the attention of Los Angeles tastemaker station KROQ.
Their upcoming EP, entitled ‘Scrubby’ is produced by Austen Moret. Moret’s influences showed the band a world of endless sonic possibilities. He seamlessly blended samples and electronic elements into the arrangements and incorporated a variety of different influences including hip-hop, hard rock, jazz/funk and even some barbershop quartet, pushing the band’s music into a whole new territory.
‘Scrubby’ has been deemed a metaphor of the bands journey so far. “Thematically, the EP deals with growth and overcoming obstacles that have been placed in your way, as well as questioning and rejecting things that you may have taken for granted in the past”, reveals drummer King. “A band coming of age record, if you will”.
Leading single Face to Face highlights the band’s use of infectious melodies, driving rhythm section and strong harmonic vocals, creating the ultimate indie rock anthem. I’m Tired Of Rolling My Eyes showcases the versatility of the band, with a more funky electronic/hip-hop sound and socially conscious lyrics critiquing race relations in America. “We believe the best bands are like a melting pot of each person’s styles, which together achieves something unique that you’d never be able to sit down and describe in advance”, confides King.